Wallet Wide Shut ...It is known in certain circles that I have become a dab hand at taking panoramic photographs - from monster flat images to 360º moving pictures. I have only been doing them seriously for the last 4 months and it's a fascinating hobby. However, I can see that in a few
more months I should have sufficient experience to offer this medium as a commercial commodity to estate agents etc.
In October of last year, I came across a Hollywood film actor who runs a company which supplies panoramic imagery for just that. His pictures of West Coast property and scenery are quite superb - it got me thinking;
"have a crack at it yourself, Stu". Sheepishly, I wrote to him and explained that I was fascinated by this type of photography and where could I learn more? I was stunned when he penned a long-winded reply listing who, where and what I needed to know. Since then, we have continued to exchange emails, thoughts and ideas. He has been of great encouragement and is always very patient to explain where I have gone wrong or what I need to 'tweek' in order to get results. He put me onto an internet group who exchange ideas, help newcomers and critique their work. After 3 weeks of trying to join, they eventually accepted my application, citing the weeding out of loonies and nutters (you mean I'm
not a loony? News to me ...).
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To begin with, you need a camera, a tripod, a fisheye lens, a stitching programme and bags of patience as the learning curve is as steep as a lighthouse staircase. A majority of the folk in this internet club suggest that I plough through pages of technical drivel, diagrams of oscillating sinewaves, temperature scales, mathematical theory and calculations involving the letter 'x'. Excuse me? When I bought the stitching programme, it simply said
"with this, you can do THIS!" and nothing about gaining a degree in calculus. So, €70 later, I installed the stitching programme on my Apple Mac and started to climb the lighthouse.
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I began with flat images, initially taking 4 or 5 separate photographs, then stitching them together. When it finally worked, I was stunned. Weeks of playing with 'Gigeresque' looking pictures and pressing buttons had paid off. But, naturally, I wanted more - I wanted to make moving 360s. The online community were a little hesitant to cough up the inside info and I was beginning to think that I didn't possess the right handshake or had rolled up the wrong trouser leg. Finally, someone took me under their wing and explained that I needed yet more software and more camera kit to get perfect results. Sadly, I am not in a position to do either and I'm buggered if any more cash is going to be invested. I have the basics, so let's see what I can do with them.
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The more experienced members of the group said
"Oh, if you have a Canon 5D, the you should get yourself a Nikkor 10.5mm lens, it's THE ideal combo". Well, I have an 8 and a 14mm so let's get working with those.
"Oh", the group continued, "
then you'll need this gadget and then this piece of software ..." But the stitching software said
"with this, you can do THIS!" and showed a fisheye lens on camera, mounted on a tripod - and that's exactly what I have and all I'm going to use. To make moving images I got hold of a programme that does the conversion through a friend. So, back to the lens ...
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The Nikkor 10.5mm costs around €700 but the fun doesn't start there, oh no. In order to get this 'ideal combo' working you should also invest in a hacksaw and a 5mm spark plug gauge.
Eh? Apparently, after shelling out nearly a months rent, the Nikkor should be carefully placed in a vice and using the spark plug gauge as a ... err, gauge, saw off the sunshield around the business end of the lens. Then you need to buy the adapter ring that fixes the Nikkor to a Canon.
What? "But the results will be fantastic!", the group insisted. But what if I dragged a hacksaw blade over the polished glass of a brand new lens? Guarantee shot to bollocks and €700 down the tubes ... so I started asking around about the 8 and 14mm lenses that I already have. A very helpful chap from Ireland came back saying
"Not a problem, I do it all the time". He explained that it simply a matter of doubling the amount of images that you take initially. So much so, he asked that I send him 17 images (ok, you might need a pen and paper for this) with the 14mm lens. With the camera pointing -20º down from horizontal, take 8 images around the circle, then a further 8 images at +20º and a final shot at 90º upwards, the top shot. By the end of play that day, I received a Quicktime movie with the workflow explained with a running voice commentary. Heaven's above, and I've never even met this chap! I watched the little film, followed his every instruction and managed to replicate the result.
A huge weight appears to have been taken off my shoulders, the smoke and mirrors removed and I'm cracking on with a constant thirst for knowledge, taking the lighthouse steps two at a time. What next? I'm off to invade Poland ...
Stu